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"I got the call from the producers and they asked 'is this a good time to chat?' I was like 'honestly, it's not',"
said Kobeck.
The 24-year-old cancer scientist works with patients across various NSW hospitals, conducting clinical trials of experimental drugs for those who have not responded to regular treatments.
To lighten the mental load of his job, he meets with friends each month to
try out fun activities such as pottery classes and ice skating.
In March 2024, they tried a dance class.
It was part of an open audition call for the musical Hadestown.
Other hopefuls came with years of training, sheet music and professional headshots.
Kobeck had been in amateur shows near his home in Camden, in western Sydney, and showed up with a printout of
his Facebook profile picture.
But he made it through the session, staying back to perform some extra songs, which he says were "nothing fancy",
and was asked to return for several more auditions.
"The amount of people in the room just kept getting smaller and smaller, and it was almost a bit laughable. I was like, this is surely not a situation, I'm just coming here after work," he said.
Hadestown has won eight Tony awards and a Grammy, attracting an audience of three million people on Broadway and
the West End since it began as a small-scale theatre
project in Vermont in 2006.
Created by singer-songwriter Ana�s Mitchell and directed by Rachel Chavkin, the musical
weaves the ancient stories of Orpheus and Eurydice, and King Hades and his wife Persephone.
In the Australian production, Christine Anu plays Hermes alongside Abigail Adriano as Eurydice, with Noah Mullins as Orpheus, and Elenoa Rokobaro as Persephone.
Kobeck didn't just win a part in Hadestown, he was cast as
a swing performer, which meant learning half a dozen roles and
being ready to step into them at the last minute.
He admits to being a little intimidated by other performers who have been doing
musical theatre all their lives. Having studied medical science instead of
acting, Kobeck concentrates on simply having a human response to the action onstage.
He's been called up to play one part or another in about half the
musical's Sydney shows, with Hadestown set to premiere in Melbourne at Her Majesty's Theatre on Saturday.
Since starting the show, Kobeck realised that working in health care is
not the only way he can help others: performing can also
help people heal in a profound way.
"It's doing just as much good - we've had so many people saying, this show has really helped me through some dark times," he
said.
Stepping away from clinical trials to perform
in a touring show was a risk, says Kobeck, but the experiences
of his patients helped him take it.
"Some of them are here and some not unfortunately, but they taught me that sometimes you can never be guaranteed tomorrow. So take every day and really grab it, and do something with it," he said.
"It's because of that work and those people I'll never forget, that I'm doing something I absolutely love, in a way that's so special and not everybody gets the chance to do."
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A massive, extinct reptile that once snacked on dinosaurs had a broad snout like an alligator’s, but it owed its success to a trait that modern alligators lack: tolerance for salt water.
Deinosuchus was one of the largest crocodilians that ever lived, with a body nearly as long as a bus and teeth the size of bananas. From about 82 million to 75 million years ago, the top predator swam in rivers and estuaries of North America. The skull was wide and long, tipped with a bulbous lump that was unlike any skull structure seen in other crocodilians. Toothmarks on Cretaceous bones hint that Deinosuchus hunted or scavenged dinosaurs.
Despite its scientific name, which translates as “terror crocodile,” Deinosuchus has commonly been called a “greater alligator,” and prior assessments of its evolutionary relationships grouped it with alligators and their ancient relatives. However, a new analysis of fossils, along with DNA from living crocodilians such as alligators and crocodiles, suggests Deinosuchus belongs on a different part of the crocodilian family tree.
Unlike alligatoroids, Deinosuchus retained the salt glands of ancestral crocodilians, enabling it to tolerate salt water, scientists reported Wednesday in the journal Communications Biology. Modern crocodiles have these glands, which collect and release excess sodium chloride.
Salt tolerance would have helped Deinosuchus navigate the Western Interior Seaway that once divided North America, during a greenhouse phase marked by global sea level rise. Deinosuchus could then have spread across the continent to inhabit coastal marshes on both sides of the ancient inland sea, and along North America’s Atlantic coast.
The new study’s revised family tree for crocodilians offers fresh insights into climate resilience in the group, and hints at how some species adapted to environmental cooling while others went extinct.
With salt glands allowing Deinosuchus to travel where its alligatoroid cousins couldn’t, the terror crocodile settled in habitats teeming with large prey. Deinosuchus evolved to become an enormous and widespread predator that dominated marshy ecosystems, where it fed on pretty much whatever it wanted.
“No one was safe in these wetlands when Deinosuchus was around,” said senior study author Dr. Marton Rabi, a lecturer in the Institute of Geosciences at the University of Tubingen in Germany. “We are talking about an absolutely monstrous animal,” Rabi told CNN. “Definitely around 8 meters (26 feet) or more total body length.”
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